Phil May R.I. and R.P. (1864 to 1903) - A number of original prints from the artist's portfolio - ' Gutter Snipes'

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Bits and Scraps Mounted facsimile print circa 1895, 195 x 245mm £19.95
Water - Works Mounted facsimile print circa 1895, 195 x 245mm £19.95
Brother Artists Mounted facsimile print circa 1895, 245 x 195mm £19.95
See-Saw Mounted facsimile print circa 1895, 195 x 245mm £19.95
Playing Soldiers Mounted facsimile print circa 1895, 195 x 245mm £19.95
Rugby Rules Mounted facsimile print circa 1895, 195 x 245mm. £19.95
Gutter Gymnastics Mounted facsimile print circa 1895, 195 x 245mm. £19.95
On y' ane Sir Mounted facsimile print circa 1895, 195 x 245mm. £19.95
Gutter Ball Mounted facsimile print circa 1895, 195 x 245mm. £19.95

We have over 25 of these Victorian prints, please call +44(0)1548 560500
or email for details.

Artist's Bibliography:
He was born Philip William May at Wortley, near Leeds on the 22nd April 1864, the son of an engineer. His father died when the child was nine years old, and at twelve he had begun to earn his living.

Before he was fifteen he had acted as time-keeper at a foundry, had tried to become a jockey, and had been on the stage at Scarborough and Leeds. When he was about seventeen he went to London with a sovereign in his pocket. He suffered extreme want, sleeping out in the parks and streets, until he obtained employment as designer to a theatrical costumier. He also drew posters and cartoons, and for about two years worked for the St Stephens Review, until he was advised to go to Australia for his health. During the three years he spent there he was attached to The Sydney Bulletin, for which many of his best drawings were made. On his return to Europe he went to Paris by way of Rome, where he worked hard for some time before he appeared in 1892 in London to resume his interrupted connection with the St Stephens Review.

His studies of the London guttersnipe and the coster-girl rapidly made him famous. His overflowing sense of fun,, his genuine sympathy with his subjects, and his kindly wit were on a par with his artistic ability. It was often said that the extraordinary economy of line which was a characteristic feature of his drawings had been forced upon him by the deficiencies of the printing machines of the Sydney Bulletin. It was in fact the result of a laborious process which involved a number of preliminary sketches, and of a carefully considered system of elimination.

His later work included some excellent political portraits. He became a regular member of the staff of Punch in 1896, and in his later years his services were retained exclusively for Punch and the Graphic. He died on 5th August 1903.

There was an exhibition of his drawings at the Fine Arts Society in 1895, and another at the Leicester Galleries in 1903. A selection of his drawings contributed to the periodical press and from Phil Mays Annual and Phil Mays Sketch Books, with a portrait and biography of the artist, entitled The Phil May Folio, appeared in 1903.

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Caricature Prints by Phil May

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