Anthony Amos Original Paintings

Click on the thumbnail image to see a larger picture.

Ships in Dry Dock
Detail to follow
Dry Dock

River Reflections

On reverse   'The Crew'
Detail to follow

River reflectionsVerso

'Painting the Hull'

On reverse 'Figures on the sands'
Detail to follow

Ships paintersVerso

Launching the Boat windy day
Acrylic on board 310 x 695mm                    
27.5 x 12..5 inches
£POA

Amos Launching the Boat

Gathering the Reeds
Acrylic on board 1035 x 760 mm                     
40.5 x 30 inches  SOLD

                                          

Reed Gatherer by Antony Amos
The Donkey Ride
Acrylic on board, 240 x 175mm, SOLD
Trawlers at the Quayside
Acrylic on board, 190 x 275mm , SOLD
tony amos trawlers picture
Offloading the Catch
Acrylic on board, 240 x 520mm, SOLD
Antony Amos marine paintingy painting
Trawlers
Acrylic on board, 180 x 290mm, SOLD
Antony Amos Trawlers painting
Hauling the Lifeboat
Acrylic on board,
310 x 500mm, SOLD
Antony Amos - Hauling Lifeboat painting

Artist's Biography
A painter of marine and figurative subjects, Amos abandoned the use of brushes in favour of his hands, lending a greater immediacy to his paintings.

Anthony was born in Bristol in 1950. As a young man he worked with horses and as a nurseryman. This was followed by a career at sea working on trawlers, tugs and deep sea cargo ships. By 1980, he had begun to paint seriously spending more and more time experimenting with differant subject matter, bits of card, scraps of material - all to bring different textures to his work.

His preferred subjects were related to the sea - the shipyards, scrapyards, working ships and fishing boats that had spent years at sea.

Later his work expanded to include architectural, farming and city and town based subjects. Constantly experimenting he was inspired by the elements, his paintings reflected the changing seasons, the weather, stormy skies, colours of the atmosphere. His love of outdoor life gave him a unique ability to interpret the changing moods of his environment. His studio did not contain a single paintbrush he worked with rags and his fingers.

The sad loss of this talented artist while his work was constantly progressing to higher levels is a tragedy.

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